Creon’s Soliloquy: A Cathartic Ending Essay

A number of motion pictures in Antigone are equally signifi buttockst. These include the foeman between Antigone and Creone, the confrontation between Creon and his news, Haemon, and the death of Haemon, which signifies the dec of Creon. However, on that point is one sight that can non be omitted from the play. In fact, it is the scene that e very(prenominal)one awaits, when the mogul cries in twinge for the great calamity that happens in his kingdom. This is the last(a) scene exhibit Creons monologue as he reflects upon his ill-doings and his ill fate.The scene is very sensitive. Any actor do it cannot overdo it or underperform be ready doing so would lead to a different interpretation. Considering that Creon is a king, the actor cannot overdo the performance because it allow for destroy the characterization that Sophocles established from the very beginning. Therefore, the actor should act it kayoed with such(prenominal) intense demonstrating the depth of Creons st irred suffering and at the very(prenominal) quantify with near poise, somewhat showing the kings apathetic nature.Some whitethorn argue that the final scene in the play demonstrates nothing provided Creons remorse over the deaths of his love ones but reading between the lines will stimulate one the perception relating to his apathy towards his married woman and the tragedy that happened. His inquiry about his married womans death illustrates his apathetic nature. As he questions the messenger, In what wise was her felo-de-se wrought? he shows an example of a hardened man, who can accept news show about the death of his wife.Similarly, the inquiry he bring ins could also be due to the amazement he suffers from at the moment. He is interpreted aback by what happened, thus unable(p) to accept it, he suddenly becomes tongue tied, unable to express his real emotions. This may be the reason why the power chose to end the play in this way, with some degree of silence, unlike o ther tragic plays or movies where characters scream upon discovering the death of their loved ones.Aside from the confusion that he experiences, Creon is flaccid at the end due to his status in the kingdom. Because of his reputation as a king, he cannot express his agony by screaming or weeping out loud because he is trying to dissemble his shame from all who would scorn at him. In his oculus, this arrogant king knows that the tragedy in his own house would cause others to ridicule or laugh at him, especially since he once ignores the forecasting of the wise old man Tiresias, who warns him of his overhaul before it occurs. In this consideration, the scene showing Creons soliloquy must be performed exactly with some blend of abstemiousness and agony to show confusion and pride. disrespect the temperance that King Creon shows in his soliloquy, the scene is very strategic because it signifies Creons refinement of remorsefulness and fear. The scene adheres to Aristotles require ment for catharsis (as mentioned in Matthews) because it shows that despite the cruel and malicious behavior of Creon, he is still assailable of love, self-reflection, and sorrow. From the beginning till the death of Antigone, Creon is ideate as a fierce and potents king, which somehow dehumanizes the character. However, at the end, as he utters his sorrow for the deaths of his son and wife, the interview realizes that behind this man is a heart that can love, a mind that can bend when his loved ones welfare is at stake.Even though the remorse is verbalised only at the end, it is very important and cannot be omitted. Without it, people will not be pleased by the ending, because they receive to experience catharsis at the end. catharsis is achieved by the kings displace out of emotions, although restrained to the very end. What happens is, as the character feels sorry for his fate, the audience reacts and agrees to his penitence, devising them feel the catharsis at the same t ime.The cathartic ending will not be complete without the element of music. To make the scene convincing to the audience, it is important to make out a dramatic melody, one that suggests elegy not only for the deaths of the mother and son but also due to the fall of the king and his death-like sadness. Also, the scene will not be complete without dimming lights, which slowly vanishes on the part of Creon as the scene ends. ladder CitedStorr, F. Trans. Sophocles Antigone. London Harvard University Press and William Heineman, Ltd, 1912.Matthews, H. Catharsis in Antigone. N.d. 19 May 2009 http//www.bishops.k12.nf.ca/english/lit3201/cathrsis.html.